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Issue |
Title |
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Vol 3, No 1 (2009): Official Musics |
About the Contributors |
Details
PDF
|
Jonathan De Souza |
|
Vol 4, No 1 (2010) |
About the Contributors |
Details
PDF
|
Jonathan De Souza |
|
Vol 3, No 1 (2009): Official Musics |
Beate Kutschke, ed., Musikkulturen in der Revolte (Stuttgart: Franz Steiner Verlag, 2008); Arnold Jacobshagen & Markus Leniger, eds., Rebellische Musik (Cologne: Verlag Dohr, 2007) |
Details
PDF
|
Andrea F. Bohlman |
|
Vol 1 (2004) |
Between Ethnomusicology and Musicology |
Abstract
PDF
|
Majel Connery |
|
Vol 3, No 1 (2009): Official Musics |
Bill Ivey, Arts, Inc. How Greed and Neglect Have Destroyed Our Cultural Rights (Berkeley: University of California Press, 2008) |
Details
PDF
|
Eric Martin Usner |
|
Vol 3, No 1 (2009): Official Musics |
Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (Oxford: Oxford University Press, 2009) |
Details
PDF
|
Robert C. Lagueux |
|
Vol 5, No 1 (2011) |
Contributors |
Details
PDF
|
Trent Leipert |
|
Vol 1 (2004) |
Cultural Politics, Representation, and the Music of Shaft |
Abstract
PDF
|
Kelsey Cowger |
|
Vol 3, No 1 (2009): Official Musics |
Editorial Team |
Details
PDF
|
Jonathan De Souza |
|
Vol 4, No 1 (2010) |
Editorial Team |
Details
PDF
|
Jonathan De Souza |
|
Vol 1 (2004) |
Fell in Love with a Band |
Abstract
PDF
|
Gregory Weinstein |
|
Vol 2 (2006) |
Film Music and the Construction of Post-Soviet Collective Identity: Nikita Mikhalkov’s Burnt by the Sun |
Abstract
PDF
|
Peter Kupfer |
|
Vol 1 (2004) |
Front Matter |
Abstract
PDF
|
voiceXchange Editorial Board |
|
Vol 2 (2006) |
Front Matter |
Abstract
PDF
|
voiceXchange Editorial Board |
|
Vol 3, No 1 (2009): Official Musics |
Geoffrey Baker, Imposing Harmony: Music and Society in Colonial Cuzco (Durham: Duke University Press, 2008) |
Details
PDF
|
Drew Edward Davies |
|
Vol 1 (2004) |
Glenn Gould’s ‘Constant Rhythmic Reference Point’: Performing and Hearing Pulse in Bach’s Goldberg Variations, 1955 and 1981 |
Abstract
PDF
|
Peter A. Martens |
|
Vol 5, No 1 (2011) |
Ideas of North: Glenn Gould and the Aesthetic of the Sublime |
Abstract
PDF
|
Anyssa Neumann |
|
Vol 4, No 1 (2010) |
"In Their Own Native Keys:" Tonal Organization in William Byrd's Published Motets |
Abstract
PDF
|
Mark Yeary |
|
Vol 3, No 1 (2009): Official Musics |
Introduction to voiceXchange |
Details
PDF
|
Lawrence M. Zbikowski |
|
Vol 2 (2006) |
More than an Analogy: Rudolf Carnap and Theodor Adorno on Music and Philosophy |
Abstract
PDF
|
Trevor Pearce |
|
Vol 5, No 1 (2011) |
Moreschi and Fellini: Delineating the Vernacular Castrato in Post-Unification Italy |
Abstract
PDF
|
Martha Feldman, Martina Piperno |
|
Vol 2 (2006) |
Music and Games in Lola Rennt |
Abstract
PDF
|
Peter Shultz |
|
Vol 3, No 1 (2009): Official Musics |
Official Musics |
Details
PDF
|
Michael A. Figueroa, Mary Caldwell, Jonathan De Souza, Andrew Mall |
|
Vol 3, No 1 (2009): Official Musics |
Red Detachment of Women and the Enterprise of Making "Model" Music during the Chinese Cultural Revolution |
Abstract
PDF
|
Clare Sher Ling Eng |
|
Vol 1 (2004) |
Response to Connery |
Abstract
PDF
|
Gregory Weinstein |
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